Given that the future of music, and all the arts, is in the hands of our children, what can we do to enhance their exposure?
Very often, the adults who make kids’ schedules send them to events, lessons, classes, etc. That’s commendable. But is it enough?
I think frequent parental involvement is crucial.
When playing “Pirates of Penzance” performances in an elementary school, I had the opportunity to observe a class of young students (about age 4) discussing what they had seen and heard. The kids were so excited, they couldn’t wait to talk about it.
Adult Involvement
I would love to see more parents going to all things musical with their children and talking about it afterwards. Ask your child what they liked best, what they noticed, why they liked it (or didn’t!), what they would do differently, etc. Involve them in the discussion, and listen to what they have to say. Their interest will grow every time. And what they say will definitely surprise you. You too will gain new perspective.
While living in NY, one of my students, an 8-yr.-old, attended a “Young People’s Concert” at Lincoln Center. When she mentioned it during her lesson, I started asking questions.
Me: “What was on the program?”
Student: “They did this piece by this guy named Frederic.”
Me: “George Frederic somebody?” (You can tell where this is going…)
Student: “Yes.”
Me: “George Frederic Handel?“
Student produced program. She had been talking about the Hallelujah Chorus. (But wait! There’s more!)
Me: “How was it?”
Student: “It was boring.”
Me (surprised): “Why was it boring?”
Student: “They did the same word all the time!”
So… she had actually listened and made an accurate assessment!
We then discussed how early music was often instrumental rather than vocal in character, and how that approach would affect the “lyrics.”
Lessons
If your children are taking lessons, that’s wonderful! Please encourage them and don’t be critical. You can help them make practicing fun.
Early Childhood
Are your preschoolers involved in the arts? You don’t need to buy a set of rhythm instruments. Pots and pans and a wooden spoon are fun! If you don’t want to see your Cuisinart equipment being banged on, then go to a tag sale.
You and your child can make shakers from a container and some pebbles. Much more fun than buying them at the store, especially if you paint them.
Try making a play guitar using a cigar box with rubber bands for “strings.”
Glass bottles, when filled with different amounts of water, produce different pitches when tapped with a fork. With a little experimentation, you could make a scale, then play “Mary Had a Little Lamb,” “Frere Jacques,” “Row, Row, Row Your Boat,” “Twinkle, Twinkle,” etc. Barney’s song, too, if you can stand it….
Babies need to be sung to! A performance-level voice is not required. Please don’t wait until your child is “older.” Babies will happily move to a CD, clap, mimic songs they hear, and make up their own. If you wait until your baby is two, your baby will be two years behind.
When your baby or toddler goes to the piano, let them play! Rather than discouraging them, try showing them how to produce a pleasant sound. If you play yourself, have your child play one or two notes while you play a melody.
Music’s Effect on the Brain
Studies have shown that involvement with music creates new pathways in the brain. This results in an enhanced ability to make relationships and solve complex problems in creative ways.
I’m trying to think of a down side right now, and nothing comes to mind.
Your Child and a Future Career
The benefits of being involved in the arts last for a lifetime and have an influence on the next generation. The more an individual knows about music, art, dance, theater, etc., the more that person will understand and take away from a performance.
A career in the arts may or may not happen ~ it takes years and years of training, a great deal of determination, an environment that is friendly to the arts, and, of course, luck. But aspiring to a career is, hopefully, not the only reason your child is taking lessons. (You may be hoping for that career, but your child wants to be a kid.) Producing concert performers is certainly not the only reason I teach lessons!
Future audiences depend upon our children. In light of all the music programs that have been discontinued, there is precious little music education going on. More and more of the responsibility lies with us, the adults.
Are you doing your part?

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November 21, 2009 at 9:22 pm |
I want to APPLAUD Gretchen on this! I am a professional musician (and a mother of 5- & 8-year olds), BUT I’ve also taught preschool music and seen how “non-singing/non-musical” parents can encourage their children just by trying. Music is NOT about perfection. It’s about enjoying yourself and making sounds to show that. How do we learn the ABC’s? (singing a song) How do we learn much of our basic counting? (singing – one-little, two-little…) How do we learn many beginning social skills? (Please and thank you) How do we learn how the world works? (The wheels on the bus go round & round) How do we learn the days of the week (Sunday Monday, Tuesday Wednesday…) All of these are sung by preschool children around the country. Music has an EMOTIONAL connection (research has shown that when children have lullabies sung to them by their “I can’t sing” parents vs. professional singers, the seratonin levels rise much higher & faster w/ the parents’ singing). Do you remember what song was playing during your first kiss? What song you walked down the aisle to? What song they played at your grandmother’s funeral? Music doesn’t even have to be formal – just jam out with your kids at home, no radio even needed. ENJOY music & your children will, too. MAKE MUSIC!!!!!
November 21, 2009 at 9:34 pm |
THANK YOU!!!
Even if parents are unable to attend their children’s lessons, say, they can still be involved. All they need to do is ask the child to show them what they did that day.
Perfection isn’t the point. One of my students, also age 8, had small-muscle coordination problems. It was very hard for her to get through a piece. One day, she made it! When her father came home during the lesson, I asked him to listen to his daughter. She made it all the way through, stopping 5 or 6 times along the way. His only response? “Now play it again w/o any stops.”
I was unaware of the research about seratonin. Many thanks.
November 22, 2009 at 2:43 am |
One of my violin students went through a program here in Australia with her mother called Kindermusik. Her progress on violin has been the fastest of any student I’ve ever had. Her intonation is great and sense of timing excellent. She began the program when she was 18 months old and finished when she turned 5. Shortly after that she began violin lessons. I think the program is run in many countries but here is the aussie link: http://www.kindermusik.com.au/ To say I’m very impressed with the result is an understatement, I think its awesome!
November 22, 2009 at 12:57 pm |
Hi Gail -
The program I have taught is similar to Kindermusik but even more research based. It’s a worldwide program called Music Together (also a birth-5 yr old, parent participation – there is also a pre-school section) http://www.musictogether.com. They have a lab school in Princeton, NJ and are continually training teachers and doing more research into music, development, and the brain. Music is also the only pre-reading activity that uses the SAME parts of the brain as does reading – which makes it perfect for pre-schoolers. I highly recommend ANY kind of parent-child music class where the only goal is to have fun with music TOGETHER. The kids want to do what the parents do.
November 22, 2009 at 11:32 pm |
You are right that the family surrounding a budding musician can cause talent to bloom or pinch off the tender flower. And I agree with the other comments that especially in the preschool years, the best learning is social and fun. Interestingly, I had a friend from Korea whose children were involved in music and she was appalled that in America, the teacher only sees the student once a week (usually). She said that in Korea, when a child signs up for lessons, that they work with the teacher EVERY DAY. Wow! That was news. Anybody else heard that? If that is true, that would be a huge key to progressing in a serious way. As long as the child thrives. . .I’m wondering if there might be some negative pressure applied at some point in youngsters under that heavy of a program.
http://joanlandes.wordpress.com/
November 23, 2009 at 11:03 pm |
Hi Joan,
Thanks for posting on my blog! Nice to see you here.
Might the daily lessons in Korea be very brief? Did your friend talk further about how that worked? If you’re still in touch, that would make a great discussion!
Take care,
Gretchen
February 2, 2010 at 6:57 pm |
Just want to say your article is striking. The clarity in your post is simply striking and i can take for granted you are an expert on this subject. Well with your permission allow me to grab your rss feed to keep up to date with forthcoming post. Thanks a million and please keep up the ac complished work. Excuse my poor English. English is not my mother tongue.
February 2, 2010 at 10:02 pm |
Hello! Thanks for reading my blog, and for your comments.
Yes, of course you may subscribe to future posts.
Please don’t apologize for your English. It’s very good. If I were to write in a language not native to me, I would make many more mistakes.
Thanks again. Hope you’ll visit again soon and continue to comment.
Gretchen