The HawkEye, April 17, 2007

John Gaines/The Hawk Eye

Pianist Brings Hometown Feel to Concert

BOB SAAR for The HawkEye (Burlington, Iowa)

Burlington’s Memorial Auditorium was the scene of a quiet homecoming Monday night when pianist Gretchen Saathoff returned to town. Saathoff, a former Burlington resident, was this month’s featured artist for Burlington’s Civic Music program. She lives in Massachusetts and performs on the East Coast as a soloist and accompanist for a variety of prestigious singers and instrumentalists.

The evening began with pleasant hometown feel — Saathoff came out to speak to the audience and thanked them for coming to hear her music. She requested that the house lights stay up so that patrons could read her program notes, something other performers would not think of in a foreign
town. Saathoff played from sheet music, a departure from the far–flung visiting performers who deem such behavior to be déclassé, but here it simply added to the hometown feel and appeal.

The pianist played with a very light touch, delicate and tender, unlike some of the overly dramatic keypounders we’ve seen in years gone by. Her repertoire consisted of short pieces throughout, and again, the hometown groove was there, with the audience applauding after every piece in the set of Chopin preludes. The favorite seemed to be “Prelude No. 2 in A minor” with its familiar “tripping–down–the–staircase” run at the end of the turnarounds.

One highlight of the evening came after intermission, when Civic Music vice president Roger Hatteberg turned pages for Ms. Saathoff on “Children’s Corner” by Claude Debussy. This suite, composed for Debussy’s daughter Chouchou, was a delightful excursion into the world of a child’s mind, including brief looks at a toy elephant in “Jimbo’s Lullaby” and a whimsical take on toy instruments in “Serenade of the Doll.”

All in all, it was a refreshing departure from the boisterous shows that are the hallmark of Civic Music, and the crowd, which seemed a bit larger than usual, looked to be quite content with Saathoff’s enchanting and fluid performance.

Back to top