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Gretchen Saathoff

~ Collaborative Pianist/Vocal Coach ~ forging partnerships, making memorable music together

Monthly Archives: November 2011

Want something done? Go to the top!

28 Monday Nov 2011

Posted by GretchensPianos in career, music, new approach, progress

≈ 4 Comments

Tags

expertise, insurance

United States National Park Service photo of t...

The Grand Tetons ~ National Forest Service photo ~ Image via Wikipedia

One of my aunts, who held a high-level position in Washington, frequently reminded all of us to go to the top.

I thought of her today and said “thank you” in spirit.

Background

My health insurance was a mess for at least a month.  Every time I talked to a person, I was given a different answer.  None of it made sense.  Had my coverage been terminated?  I may never know.

After 2 weeks of “Due to a high volume of calls… call back at another time,” followed by a click, I’d had it.  When you can’t leave a message, what can you do?

Blue Ridge Mountains

The Blue Ridge Mountains ~ photo via Flickr

Progress

I ranted to other people.  One of them patiently said, “Railing against the system isn’t going to get you health insurance.”  (Thank you!  You know who you are.)

Last Monday, I was inspired to keep hitting “redial” until I was at least in the queue on hold.  So far, so good.  I was then on hold for 42 minutes.

Finally, a real person answered.  But she didn’t understand the problem.  She kept putting me on hold, and I was sure she wouldn’t pick up the phone again.  The entire call took an hour and 1/2.

Her “solution” didn’t work.

Aspen Mountain

Aspen Mountain ~ Image by Marcin Wichary via Flickr

The end game

Exasperated, I took advice from a friend’s email to heart.  (She works for  large health insurance companies.)

I found the governor’s office online and went to the web site.  In addition to email contact information, there is a number for a Constituent Services Aide.  I took advantage of both methods.

The aide (1) answered the phone; and (2) emailed her contact at my insurance company.  But then she said if I hadn’t heard anything in 2 weeks, I should call her back.

Fortunately, the contact called the next day and left her direct dial number.

We talked.  She then called someone to guide them through the steps to reimburse me for covered services I had paid for in November.

I was reimbursed this afternoon.  And that’s the end of the insurance story, hopefully for a long time.

But wait!  I’m not done!

Innsbruck Austria

Innsbruck, Austria ~ Image by mikol_ice via Flickr

It’s not just about insurance

While thinking about going to the top, I realized that this is exactly what I’ve done in music.

Want to know how to play/coach/translate vocal repertoire?  Go to the top!

Want to know more about ornamentation?  Go to the top!

Need more insight about fingering?  Go to the top!

Opera?  Go to the top!

String repertoire?  Go to the top!

Career advice?  Go to the top!

Rocky Mountain Vista

Rocky Mountain Vista ~ Image by krossbow via Flickr

The expertise is available.  All you have to do is ask.

What do you do when you want something done?  Please share your thoughts in the comment section below!

E-books

Give the gift of music! “Goal-oriented Practice: How to Avoid Traps and Become a Confident Performer” will give every musician a fresh perspective!

My book frees up time to learn more music, memorize, or do something else entirely!

Goal-oriented Practice

August 2011 review by pianist Robert W. Oliver

When You Buy a Piano

How to Maintain Your Piano

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Happy Thanksgiving!

24 Thursday Nov 2011

Posted by GretchensPianos in observations, personal, priorities, question

≈ 2 Comments

Tags

Thanksgiving

Worried Turkey

Image by bowtoo via Flickr

“Eat ham!”

Pig

Image via Wikipedia

 “no, No, NO.  Eat TURKEY!”

~ ~ ~

I am thankful for my

health

freedom

good friends

talent

professional training

performing, coaching, audition,
& rehearsal experience

motivated students

wonderful piano

concert engagements

the beautiful outdoors

inner child

&

of course you, my readers!

~ ~ ~

What are you thankful for?

Cornucopia sign  066

Image by tomylees via Flickr

This article by John Tierney talks about gratitude and how it can get you through Thanksgiving dinner.

Please share your thoughts in the comment section below!

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Successful Concert #3! Williamsburg, MA

21 Monday Nov 2011

Posted by GretchensPianos in career, concert day, distractions, engaging the audience, music, on the road, performing, piano, repetition

≈ 4 Comments

The Brewmaster's Tavern, Williamsburg, Massach...
Image via Wikipedia

On Sunday I played the 3rd of 3 concerts based on the same program.  This was the Williamsburg, MA concert rescheduled from October.

Some thoughts about the day:

Getting there

The drive to Williamsburg was much easier today.  No storm!  We had lunch at the Brewmaster’s Tavern (pictured above), which was excellent.

Distractions

During the time between lunch and the concert (about an hour), there were any number of distractions.  I was focused, and found myself able to ignore them.

In the audience

A father walked in with his 2 young daughters.  They sat in the front row, right by the piano.  I was thrilled!

Just before concert time, a friend arrived.  It was very nice to see him.  He had come to the dinner during the power outage, and I had not expected him to make the trip a 2nd time.

Playing 3 concerts together worked!

My playing in this concert was the best of the 3, as it should be.  I wish the piano had been better, but I’m happy to have gotten something out of it.

Audience engagement

As is my habit, I spoke to the audience rather than providing printed program notes.

The Bach and Bach/Busoni shared the 1st verbal note.  I explained a few ways in which a fugue is different from a round.  And I shared a few details about Bach chorales.  (This was a Congregational church.  “Ich ruf’ zu dir” was not in either hymnal I consulted.)  Then I suggested that Busoni, a Romantic composer, would sound completely different from the prelude and fugue.

Everyone laughed when they heard that Mendelssohn‘s “Songs Without Words” have no words and never did.  Then I indicated that the 3rd and 6th pieces I would play had titles, inviting them to make up their own titles for the others.

I grouped the Liszt and Stamatelos together with the goal of introducing Katerina’s piece with Liszt’s “Nuages Gris.”

Everyone LOVED Katerina’s piece!  I was surprised, as this is a country church with an “older” congregation.  Describing how the piece was composed made a difference and piqued their interest.  And mentioning that Katerina and I “met” on Twitter wasn’t a bad thing to say, either.  They were also quite attentive when they learned that she lives in Greece.

This 3rd performance went so smoothly!  I am completely comfortable with the transitions between variations now, and could focus on expressing the music.

Before playing the Gershwin, I played a 4th on the piano, explaining that we aren’t accustomed to hearing that interval as a pleasant sound.  Then I added the 3rd below (to form an inverted triad), then 3rd below that.  Now that everything sounded normal again, everyone enjoyed the piece!

What’s next?

It’s time to watch some tennis!  (Barclays ATP World Tour Finals replay from earlier today in London, http://espn3.com)

BNP Paribas Masters

Image via Wikipedia

Please share your thoughts in the comment section below!

Related articles

  • Concert countdown on mostly unfamiliar music (gretchenspianos.wordpress.com)
  • Almost concert time! (gretchenspianos.wordpress.com)
  • Concerts: #1 of 3 (gretchenspianos.wordpress.com)
  • A successful New York concert (gretchenspianos.wordpress.com)

E-books

Looking for practice inspiration? “Goal-oriented Practice: How to Avoid Traps and Become a Confident Performer” will give you a fresh perspective!

Goal-oriented Practice

August 2011 review by pianist Robert W. Oliver

When You Buy a Piano

How to Maintain Your Piano

Back to top

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Repeat performances: 10 unique approaches

18 Friday Nov 2011

Posted by GretchensPianos in balance, career, gigs, performing, practice, preparation, priorities, repetition, security, variety, warm up, work

≈ 6 Comments

Tags

Broadway, Budapest String Quartet, Catherine Russell, Fantasticks, Guinness World Records, Juilliard String Quartet, Santa Claus

Repeat sign (music).

At some point in life, you will find yourself repeating a performance or two.

Every performer I know, as well as some I’ve read about, has a unique way of dealing with repetition:

  1. A costume designer who works on Broadway splits the difference between depending on the reliability of a long-term job and thriving on variety. She has a steady gig with one show and subs the rest of the time.

  2. A former New York neighbor who plays 5 instruments had been playing classical music gigs after graduating from Juilliard. When he found that he needed to make more money, he switched to Broadway. He has yet to find a steady job with one show. He loves the variety that subbing brings, and practices all 5 instruments every day.

  3. The actress Catherine Russell tells her story to The New York Times. She finds variety every night in a role she has performed for 25 years!*  (She has also been listed in Guinness World Records!)

  4. A character actor I know has been on Broadway for 40 years, mostly acting in various roles in the Fantasticks. He does other shows out of town for variety.

  5. A singing actor I’ve worked with loves variety. His “money gig” is being Santa Claus in a Radio City show out of town. He will likely be the next actor in the role at Radio City when it becomes available.

  1. A musician I dated had just returned from 6 months in Korea with a show when we met. He played 2 shows almost every day. With 4 hours between shows, he made a project of learning about Korean food, going to as many restaurants as he could.

  2. In the old days, travel was by train, meaning that there was much more time between gigs in distant cities (and no jet lag). The members of the Budapest String Quartet would race each other during long trips to see who could memorize a quartet the fastest. The faster you were, the more time you had to read your book! They would arrive in the new city, go to the venue, and perform the just-memorized quartet from memory.

  1. The Norman Luboff Choir toured with enough music for at least 3 programs. But the programs were never printed as such ~ the tour repertoire was. Norman would choose each concert’s program backstage a few minutes before the downbeat. The music was familiar, yes, but there was no complacency.

  2. When the Juilliard String Quartet breaks in a new member, everything they play is rehearsed from scratch. That approach gives full participation to the new member, and keeps everyone else alert as well.  In addition, they are always playing contemporary music along with the standard repertoire.

  1. My job at the moment is to prepare for the 3rd concert of 3 with similar programs. In this group of concerts, I know the venues and the types of audiences who are likely to attend each one. I change the order while practicing and in the concerts themselves. During this week, I am practicing with the venue’s piano in mind.

The concert is in 3 days. Today I practiced the program in order, repeating spots that needed attention before going to the next piece.

Tomorrow, 2 days before, I’m planning to “perform” the program. If I need to go back to practice something, that will be after running the whole show.

On the day before, I have learned to expect mistakes. And during the warmup on the day of, forget it. That is totally unreliable. So on Saturday and Sunday, my focus will be on warming up very well and on being focused. I like to start and end each piece in program order, but not spend much time on the rest.

*Many thanks to C.I. for alerting me to this article!

Related article

  • Concert countdown on mostly unfamiliar music (gretchenspianos.wordpress.com)

Where is your comfort zone with regard to security and variety? Please share your thoughts in the comment section below!

E-books

Looking for practice inspiration? “Goal-oriented Practice: How to Avoid Traps and Become a Confident Performer” will give you a fresh perspective!

Goal-oriented Practice

August 2011 review by pianist Robert W. Oliver

When You Buy a Piano

How to Maintain Your Piano

Back to top

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Poll results

15 Tuesday Nov 2011

Posted by GretchensPianos in career, concert, directed practice, music, piano, preparation

≈ 2 Comments

Tags

Bach, Busoni, Katerina Stamatelos, Liszt, Mendelssohn, poll results

Thanks so much to everyone who voted!

My next concert, postponed from October because of a power outage, will be in Williamsburg, MA on Sunday, November 20 at 3pm.

The program is much the same as that of my previous 2 concerts (see program, below).

This week I’m practicing to keep my “old” program “new.”

I am keeping a practice log, and will post more details later this week.

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A successful New York concert

12 Saturday Nov 2011

Posted by GretchensPianos in career, concert, concert day, engaging the audience, goals, music, new experience, on the road, performing, piano

≈ 6 Comments

Tags

Katerina Stamatelos, Skype, Twitter

Cover of "Star!"

Cover of Star!

Yours truly played a concert in New York on Wednesday. 

What a blast!

Actual program will be posted here as soon as it is received.

The countdown

Everything about daily life that could go wrong the week before, did. I felt like I couldn’t handle it all, nearly canceling the concert.

And then, things kept getting worse! The day before my trip, not only did some dental work fall apart, but my plans to stay with a friend fell through.

A Skype video call enabled me to put all the negatives in a box and forget about them. They would still be there when I got back, if I wanted them.

Fortunately, I have more than one friend in New York! An email resulted in a quick reply with a gracious invitation to stay with a lovely person in a beautiful apartment in Midtown.

Getting there

The trip into the City was easy and uneventful. I found a cab in 2 seconds, and even scored a friendly driver.

The street noise kept me awake ½ the night. It wasn’t particularly loud, but I’m not used to it anymore. We were on the 4th floor with a window open.

Warmup

When I arrived at the concert venue, the music director was out of the building, the piano was in the corner, someone was praying aloud, and no lights were on. So I asked a desk clerk to have the lights turned on (which they were in 2 minutes) and moved the piano myself (but I’ve done that before). The desk clerk assured me that warming up would be fine while the prayer was in progress.

My practice time, about ½ hour, didn’t go well at all. Possible reasons are too little sleep, nerves, the extreme acoustics (reverb), and the climate (hot and humid). I felt like I had a fever!

Even just before the house was opened to the public, I wasn’t feeling good about the way I was going to play the concert. And that, for me, is very unusual.

Backstage

I had a talk with myself. “So, what are you going to do, blow it? You’ve never blown it here!” (I’ve played there several times.)

I decided the way to go was not to rely on what I expected to come out of the instrument, but to listen to the actual sound and deal with that.

The concert

Things proceeded normally. The 1st half was Bach/Busoni and Mendelssohn. I felt completely settled in the 2nd half with Katerina Stamatelos’ piece and Gershwin.

Talking to the audience

I wanted to talk to the audience because it has always worked. Nothing profound ~ it wasn’t a lecture recital. I told them that the “Songs Without Words” don’t have any words and never did! Scholars have been searching, believe it or not. And I told them that Mendelssohn named only a few of his songs, publishers named the others. I encouraged people to make up their own titles.

Katerina’s piece

When I said that I’d “met” Katerina Stametelos on Twitter, some people said, “Oh!” Others smiled ~ all looked intrigued. I told them that Katerina lives in Greece and earned 2 degrees at the University of Iowa, and why I felt a connection with her.

Everyone in the audience loved this piece! Big smiles, long and enthusiastic applause, true appreciation without reservation.

A chance occurrence

The music director had asked me to assure him that my program was 30 minutes, not longer. Apparently recent concerts have been longer, making people rush for lunch. He has received complaints.

So I was conscious of the time frame during my concert. I omitted 2 repeats in order to allow talking time.

After my program, as the audience was applauding, I found myself taking a bow and then speaking again, saying something like, “That’s it ~ everybody go to lunch!” And I didn’t make a grand exit.

Audience engagement

That was a chance happening. And it worked! More than twice the usual number of people approached me after the concert!

Their comments included:

“You made my day!” I recognized the man from 2 years ago, when I had performed Messiaen. We had discussed Messiaen then.

One woman said she is the organist at a small church “down the street.” She had played “Ich ruf’ zu dir” on the organ, but this is the first time she had heard the piano version. Since the organ she plays had stopped working, she would look at the Bach/Busoni.

Another woman asked about Katerina’s “In Memoriam Béla Bartók,” wondering whether they knew each other, or what that was about.

Friends

I got together with 4 friends on this trip and had a great phone conversation with a 5th. Four of us (3 friends plus myself) enjoyed lunch on Amsterdam Ave. just South of 120th St. My friends had never met each other, but have common interests, so we all had a good time.

Later that evening, I had a sandwich and a wonderful time seeing someone who couldn’t make the concert. He has so many interests and so much curiosity, he is always fun to talk to.

‘Tude

After dinner, I had an ice cream attack. So I walked around the neighborhood in search of a deli. What I found was a Johnny Rockets restaurant (50’s or 60’s American diner) at 56th and 3rd.

At the takeout counter, I ordered 2 dark chocolate shakes to go. The cashier took my payment and made change for a nickel.

Her arm extended back, and she slapped the nickel on the counter!

Welcome to New Yawk. If my change had been a $5 bill, would she have turned around? What would it take to score eye contact?

The trip back

The bus driver had no clue.  At Port Authority, he announced that we were boarding a Hartford bus.  The destination, Springfield, is clearly posted.  In New Britain, he asked the passengers if anyone knew how to get to Route whatever.  Soon after that, he became lost for 10 mi.  Then we encountered traffic backed up from an accident.  After that, a passenger had to direct him to the gate in Springfield as soon as he left I-91.

Then we changed buses.  The next driver was very unpleasant.  But it turned out there was also an express bus to Amherst. So the last 45 minutes of the trip were normal.

We arrived in Amherst 2 hours and 20 minutes late!

I called the complaint number the next morning and demanded a refund.

I’m glad the mega-glitch in the trip happened after my concert!

Goals

Continue to facilitate audience engagement.

Look to NY as a reality check rather than feeling discouraged by recent changes in the focus of various concert series and the local situation.

Practice, plan future programs, incorporate more contemporary music, organize house concerts.  Twitterhouse concerts?

Network like mad!

Please share your thoughts in the comment section below!

Related articles

  • Concert countdown on mostly unfamiliar music (gretchenspianos.wordpress.com)

E-books

Looking for practice inspiration? “Goal-oriented Practice: How to Avoid Traps and Become a Confident Performer” will give you a fresh perspective!

Goal-oriented Practice

August 2011 review by pianist Robert W. Oliver

When You Buy a Piano

How to Maintain Your Piano

Back to top

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After Thursday’s trip from hell,

11 Friday Nov 2011

Posted by GretchensPianos in Uncategorized

≈ 3 Comments

After Thursday’s trip from hell, I am home regrouping. Sleep, listening to contemporary music, jazz and opera. Will update soon!

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We’re in New Britain. Bus

10 Thursday Nov 2011

Posted by GretchensPianos in Uncategorized

≈ Leave a comment

We’re in New Britain. Bus driver just askd passengers 4 directions! People r checking their handhelds in unison. We pd 4 this?

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To girl near back of

10 Thursday Nov 2011

Posted by GretchensPianos in Uncategorized

≈ Leave a comment

To girl near back of da bus: If you’d put yo stuff in th overhead & take yo feet out th aisle, mayb peopl wouldn’t step on u.

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Plan for today: Sleep on

10 Thursday Nov 2011

Posted by GretchensPianos in Uncategorized

≈ 2 Comments

Plan for today:
Sleep on bus
Have dinner out
Go home to regroup

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